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A woman with a concerned look on her face holds up a mobile phone attached to a filming stick. Behind her is a large house. Still from Dagr.

Film Review: Dagr

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British and Irish folk-horror is a well tapped vein in modern filmmaking. A deliciously dark sub-genre spearheaded by the unreasonably talented Ben Wheatley’s trio of pagan-tinged terrors in Kill List,… Read More »Film Review: Dagr