Get ready, because FrightFest 2023 is creeping up next week! If you managed to snag yourself a festival pass, mark this Saturday...
Read MoreJennifer Dale Apel: Content Manager / Editor
Hailing from California, Jenn moved to the UK in 2016 and instantly fell in love with the horror community.
Her first introduction to horror was peeking over the couch as her older brothers watched Stephen King’s IT when it premiered on TV in 1990. Even though the thought of killer clowns scarred her for years, she was hooked. Luckily her dad was also a fan and introduced her to the more child-friendly Universal classics at a young age.
In 2019, Jenn graduated from London Metropolitan University as a “mature” student in Film & TV studies. Every essay she could possibly write on horror, she did – including her dissertation on children in Spanish Horror.
She has worked on a few independent horror projects as a script supervisor, editor, and researcher and loves what the community of indie horror in the UK.
Occasionally, you can see Jenn’s writing on the IHS website, and she enjoys trying to test your horror knowledge with the quizzes.
Jenn’s Favourite Horror Film: The Orphanage

Jenn's Articles:
Short Film Review: The Dead Collectors
Brendan Cleaves’s The Dead Collectors is a captivating short film that seamlessly combines elements of horror and comedy to deliver a totally...
Read MoreShort Film Review: Last Orders
Last Orders, directed by Jon James Smith, is a mysterious film filled with tension and dread throughout its 20-minute run time. Actor...
Read MoreShort Film Review: All You Can Eat
Kieran Reed‘s All You Can Eat takes one of the most delicious foods on the planet and turns it into sharp-toothed, flesh eating...
Read MoreFilm Review: The Suppression of Hannah Stevenson
The feature directorial debut of Jason Parker, The Suppression of Hannah Stevenson, takes a...
Read MoreShort Film Review: Flowers for the Dead
Flowers for the Dead, a low-budget indie short, is the first collaboration film between Richard Markworth and John Whitaker. The film opens...
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